Tuesday, 28 September 2010

Editing Styles

Linear editing - An older style of editing where a line process was used to edit together films

Non-linear editing - The newer style of editing. Computers are used for this style of editing.

The term "Montage" is translated by the french as "to put together"

There are two main types of montage soviet and Hollywood.

Soviet montage allowed images with no relation to each other to be used in a sequence to create a third meaning. A clear example of this is used in Sergei Eisenstein's Oktober (1927). In this film Eisenstein used an image of machines to portray how the people working in the factories were like machines. He also used very jerky edits during the film to set a pace. Which also helps to reinforce the meaning of machines working non-stop.


Hollywood montage means the passage of time being shown through different shots. A prime example is in the Disney film Up. Here we see and old man and go through the different stages of his life. This helps the audience identify with the character and also gives them some background information


Another editing style is continuity editing. This type of editing is meant to be invisible to the audience and shows them the progress of events. For example if in one shot someone was going to reach for the handle of a door, the next shot would be of the door opening. It allows the scene to flow smoothly without the audience noticing physically.

The 180 degree rule is one of the most important rules of film making for the director as it allows the audience to know where they are and its
tops them from becoming confused. The easiest way to follow the 180 degree rule is to have an invisible line and choose which side you want to
film from. Once filming starts you cant pass this line otherwise the audience will become confused.

Wednesday, 22 September 2010

The History and Developments of Post-production

There have been many developments in post-production over the years. As technology has advanced so to has the ability to make films that capture the audiences imaginations. Auguste Lumiere once said that "cinema was an invention without a future" but it is now clear that cinema's future is endless as long as the audience are still able to believe that what they're seeing on the screen is actually real.

The Life of an American Fireman (1903) by Edwin S. Porter was the first film ever to use post-production. It told the story of how a fire brigade rescued a women and baby from a burning building. Rather than having one long shot held until either the director got bored or the film ran out they decided to use cuts to bring two different shots together to tell a story. Although this was a very basic technique this was one of the most important break throughs in cinematography shaping the way we see cinema today.


Still from The Life of an American Fireman by Edwin S. Porter

Another break-through in the film industry was in 1924. Iwan Serrurier invented the moviola machine. It allowed the film editor to view the film at the same time as editing it so they were able to get more precise cuts. The moviola used to be described as an upright sewing machine and edited 35mm film stock. This was also one of the reasons why in the 1940's and 50's editing was seen as a womens job. The moviola was used up until the 1970's when a more advanced machine called a flatbed editor was invented.


A moviola machine

The flatbed editor was introduced in the 1970's . This machine allowed the editor to edit footage a lot quicker than when they used the moviola by using a cutting and splicing technique. This was called linear editing. However during the 1990's the use of the flatbed editor was replaced with computer editing software using non-linear programmes such as Avid and Final Cut Pro.


A Flatbed Editor

Another huge development in the cinema world was when D.W Griffith released his film Birth of a Nation in 1915. Griffith had used a huge amount of different film techniques such as close-ups and long-shots from different angles and then used different fades and cutting techniques during the post-production stages. This film inspired many other directors to follow in his footsteps.

Film was used in a big way during the Russian revolution. Lenin wanted to get more people on his side so he used film to persuade the poor and illiterate to join him. Film was a way for people to understand what Lenin wanted to do, rather than having someone read about his campaign he was able to show them.

Nowadays we can edit films on computers using programmes such as AVID and Final Cut Pro. An editor would have to cut down over 200 hours of footage to make a 2 hour film. The film tape would be so long it would reach from LA to Las Vegas. Also making films costs a huge amount of money. Film stock is £400 for just 10 minutes of tape and the camera lenses would cost up to £500,000 to buy. Editing a film can take years as an editor has to check every frame is perfect and there are 24 frames per second on a film.